How to Draw Noir Comics the Art and Technique of Visual Storytelling

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How to Describe Noir Comics: The Art and Technique of Visual Storytelling, by Shawn Martinbrough

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How to Draw Noir Comics: The Art and Technique of Visual Storytelling is an instructional book based on the cinematic, loftier contrast noir style of acclaimed comic book and graphic novel illustrator, Shawn Martinbrough.

Martinbrough's work has been published by DC Comics, Vertigo and Marvel Comics, illustrating stories ranging from Batman to the Ten-Men. This is his offset volume, released through Watson-Guptill Publications and The Nielsen Company.

In How to Describe Noir Comics, Martinbrough shows how the skillful utilize of the color blackness is critical for drawing noir comics. He demonstrates how to set a mood, design characters and locations, phase activity and raise drama, and discusses important topics like page layout, panel design, and cover design.

How to Draw Noir Comics includes The Truce, an original graphic novel written and illustrated past Martinbrough which incorporates the many lessons addressed throughout the book, and has an introduction by critically-acclaimed novelist Greg Rucka, author of the graphic novel Whiteout, currently in production as a major movement picture.

• Sales Rank: #82840 in Books
• Make: WATSON-GUPTILL
• Published on: 2007-x-30
• Released on: 2007-x-xxx
• Original linguistic communication: English
• Number of items: 1
• Dimensions: eleven.00" h 10 .50" w x 8.50" 50, 1.31 pounds
• Binding: Paperback
• 144 pages

Near the Author
Shawn Martinbrough illustrates many DC and Marvel comics, including
Superman, Detective Comics, Batman, and X-Men. Other clients include LucasArts, Playboy, and many others. In 2004, he was named one of "Washington, D.C.'southward Best" by The
Washingtonian. He lives in Washington, D.C.

About helpful client reviews

0 of 0 people found the following review helpful.
Excellent presentation of refined, sophisticated and professional data.
Past The Solitary Comic
I was actually anticipating this book. Noir techniques are fantastic for psychological thrillers, ane of which I am writing for a comic of my own pattern for my Solitary Comic entertainment brand.

When it arrived, the information was and then consummate and useful, it was almost over my caput. Even though the information is presented in just virtually as intelligent a manner as it can be presented, it is some professional level data for accomplished comic book artists.

That is not to say a beginner cannot use it a reuse it as their skill grows - it was just a big, consummate, comprehensive agglomeration of data on the topic.

I really hope I tin can use all this book offers in the long run.

The Lonely Comic TM
Defender of Creativity and Amusement SM

2 of 2 people constitute the following review helpful.
Noir realistic comics by one of the greatest
By Edouard ELCET
Existence a Belgian-style comic illustrator, I did'nt know Shawn Martinbrough before, and then I visited his homepage and fabricated an exploration of the book with the appropriate functions of Amazon. And so not only I was convinced that Martinbrough had been choiced by the nearly important comic publishers, and his incredible talent was evident, but also that the book was of get-go interest for any comics illustrator working with ink outlines and having to illustrate dramas and place evidently night zones. Martinbrough warns the reader that he volition not teach cartoon either figures or environments, all the same he gives cracking ideas of how become the most of many situations through numerous well-explained comic pages. This is not a book to read as a unproblematic novel, but to written report advisedly and read several times before, during and after practice. Martinbrough works only traditionaly (I do all my inking digital in Photoshop and in Manga Studio EX), but no problem: this manual keeps all its interest for digital illustrators. Every bit a bonus, a very cute comic novel "The Truce" is included in the volume. With the excellent "Cartoon law-breaking noir" by Christopher Hart, this handbook makes not only a good pair for professionals, but it is but a MUST TO Purchase, even for advanced illustrators when they are not sure how to place their manifestly ink zones.
Due east. Elcet, professional comics illustrator, Paris

two of ii people institute the following review helpful.
Simple words, rich imagery
By Felix Carrion PhD
This is a surprisingly 'consummate' contribution to the growing number of books on how-to create graphic novels. The text is sparing but to the point while the images speak volumes about why and how the images were created for the storytelling task. This is non a step by step most the business of graphic novels or comics just is more of a distilled rendering of Martinbrough's accumulated wisdom about what works in this approach to visual storytelling. I practise believe that the reader is more probable to pick upwards these pointers if the reader has a background in fine art already. In other words, at that place is much in the visual aspects of this book to be appreciated if you have tried your hand at visual storytelling already. An excellent reference book for those that are trying their hand at graphic novels.

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